darin:

• Le­wis, Ali­son:

  Preface.

  VII-X.

• Bas­ti­an, An­dré:

  Introduction: Why Jelinek? Why Australia?: Preparing the Australian Stage for an Austrian Nobel Prize Winner.

  S. 2-20.

• Band­hau­er, An­drea:

  „I don’t want theatre“: Elfriede Jelinek’s Critique of Language on Stage.

  S. 21-45.

• Bas­ti­an, An­dré

  /

  Hon­eg­ger, Git­ta:

  „Mad/Wo/Men. It takes that kind of passion and commitment“: An Interview with Jelinek Translator Gitta Honegger.

  S. 47-55.

• Gar­de, Ul­ri­ke:

  Prepared for the Princess?: Audience Expectations and Critical Reception of „Princess Dramas“ at Melbourne’s Red Stitch Actors Theatre.

  S. 57-83.

• Clar, Pe­ter

  /

  Schen­ker­mayr, Chris­ti­an:

  „Translation (-portation)“: The Reception of Elfriede Jelinek’s Theatre Texts in Europe.

  S. 85-108.

• Bas­ti­an, An­dré:

  The Risk Is in the Transfer, Or Does Jelinek Really belong to Austr(al)ia?.

  S. 110-137.

• Ca­sey, Ma­ry­ro­se:

  Embodying the Essentialised Abject: Challanenging Colour Blind Racism in Performance.

  S. 139-153.

• Ste­vens, La­ra

  /

  Var­ney, De­ni­se:

  Re-Dressing Patriarchal and Colonial Dispossesion: Jelinek’s „Jackie“ on the Austrialian Stage.

  S. 155-171.

• Jan­ke, Pia

  /

  Je­li­nek, El­frie­de:

  „Aus­tri­as fal­se and men­d­acious guilt­less­ness has al­ways re­al­ly be­en my to­pic of in­te­rest“: An in­ter­view on „Rech­nitz“ wi­th El­frie­de Je­li­nek.

  S. 173-183.

• Jan­ke, Pia:

  The Elfriede Jelinek Forschungszentrum and Forschungsplattform Elfriede Jelinek in Vienna: History and Mission.

  S. 185-193.